In department stores and closets all over the world, they are waiting. Their outward appearance seems rather appealing because they come in a variety of styles, textures, and colors. But they are ultimately the biggest deception that exists in the fashion industry today. What are they? They are high heels - a woman's worst enemy (whether she knows it or not). High heel shoes are the downfall of modern society. Fashion myths have led women to believe that they are more beautiful or sophisticated for wearing heels, but in reality, heels succeed in posing short as well as long term hardships. Women should fight the high heel industry by refusing to use or purchase them in order to save the world from unnecessary physical and psychological suffering.

　　For the sake of fairness, it must be noted that there is a positive side to high heels. First, heels are excellent for aerating(使通氣)lawns. Anyone who has ever worn heels on grass knows what I am talking about. A simple trip around the yard in a pair of those babies eliminates all need to call for a lawn care specialist, and provides the perfect-sized holes to give any lawn oxygen without all those messy chunks of dirt lying around. Second, heels are quite functional for defense against oncoming enemies, who can easily be scared away by threatening them with a pair of these sharp, deadly fashion accessories.

　　Regardless of such practical uses for heels, the fact remains that wearing high heels is harmful to one's physical health. Talk to any podiatrist(足病醫(yī)生), and you will hear that the majority of their business comes from high-heel-wearing women. High heels are known to cause problems such as deformed feet and torn toenails. The risk of severe back problems and twisted or broken ankles is three times higher for a high heel wearer than for a flat shoe wearer. Wearing heels also creates the threat of getting a heel caught in a sidewalk crack or a sewer-grate(陰溝柵)and being thrown to the ground-possibly breaking a nose, back, or neck. And of course, after wearing heels for a day, any woman knows she can look forward to a night of pain as she tries to comfort her swollen, aching feet.

　　31. The picture of the reading ability of the American people, drawn by the author, is _____.

　　A) rather bleak

　　B) fairly bright

　　C) very impressive

　　D) quite encouraging

　　注：選一個爛的，bleak黯淡無光

　　32. The author's biggest concern is ____________.

　　A) elementary school children's disinterest in reading classics

　　B) the surprisingly low rate of literacy in the U.S.

　　C) the musical setting American readers require for reading

　　D) the reading ability and reading behavior of the middle class

　　33. A major problem with most adolescents who can read is ___________.

　　A) their fondness of music and TV programs

　　B) their ignorance of various forms of art and literature

　　C) their lack of attentiveness and basic understanding

　　D) their inability to focus on conflicting input

　　34. The author claims that the best way a reader can show admiration for a piece of poetry or prose is ____________.

　　A) to be able to appreciate it and memorize it

　　B) to analyze its essential features

　　C) to think it over conscientiously

　　D) to make a fair appraisal of its artistic value

　　35. About the future of the arts of reading the author feels ____________.

　　A) upset

　　B) uncertain

　　C) alarmed

　　D) pessimistic

　　注：對應最后一段

　　It is hardly necessary for me to cite all the evidence of the depressing state of literacy. These figures from the Department of Education are sufficient: 27 million Americans cannot read at all, and a further 35 million read at a level that is less than sufficient to survive in our society.

　　But my own worry today is less that of the overwhelming problem of elemental literacy than it is of the slightly more luxurious problem of the decline in the skill even of he middle-class reader, of his unwillingness to afford those spaces of silence, those luxuries of domesticity and time and concentration, that surround the image of the classic act of reading. it has been suggested that almost 80 percent of America's literate, educated teenagers can no longer read without an accompanying noise (music) in the background or a television screen flickering(閃爍)at the corner of their field of perception. We know very little about the brain and how it deals with simultaneous conflicting input, but every common-sense intuition suggests we should be profoundly alarmed. This violation of concentration, silence, solitude(獨處的狀態(tài))goes to the very heart of our notion of literacy; this new form of part-reading, of part-perception against background distraction, renders impossible certain essential acts of apprehension and concentration, let alone that most important tribute any human being can pay to a poem or a piece of prose he or she really loves, which is to learn it by heart. Not by brain, by heart; the expression is vital.

　　Under these circumstances, the question of what future there is for the arts of reading is a real one. Ahead of us lie technical, psychic(心理的), and social transformations probably much more dramatic than those brought about by Gutenberg, the German inventor in printing. The Gutenberg revolution, as we now know it, took a long time; its effects are still begin debated. The information revolution will touch every facet of composition, publication, distribution, and reading. No one in the book industry can say with any confidence what will happen to the book as we've known it.

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